• Home
  • About
  • Upcoming Album Releases
  • Best of the Year
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Lilly Eason

Lilly Eason

Lilly Eason is a Nashville based writer and a graduate of Sewanee with a degree in English and Creative Writing. She has a knack for cultivating playlists and frequenting venues around town to scope out new music obsessions. Her top-tier loves include playing bass, record hunting, and the music and style of the 1960s British Invasion. She has a passion for writing and for sharing the unique stories of those she interviews. Can be reached at lilly.pitches@gmail.com or on Instagram @lu_loveday99.

Ithys © Francesca Sostar
Features, Interviews, MusicMay 17, 2023<May 17, 2023

Interview: Korean Rapper Ithys’ Artistic Identity Journey

Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

Sun Room © Kelly Hammond
Features, Interviews, MusicFebruary 24, 2023<February 24, 2023

It Takes a Village: Sun Room Are ‘Outta Their Minds’ on New EP

Sun Room © Kelly Hammond
Columns, Music, Today's SongJanuary 11, 2023<January 11, 2023

Today’s Song: Sun Room’s Fast & Loud “Cadillac” Is a Euphonious Time Machine

La Femme © JD Fanello
Features, Interviews, MusicJanuary 5, 2023<January 10, 2023

Feature: The Escapist Fantasy of La Femme’s ‘Teatro Lúcido’

Pony Girl © Curtis Perry
Music, PremieresOctober 13, 2022<October 13, 2022

Premiere: Pony Girl’s “King of The Country Club” Pairs Criticisms on Privilege with a Wacky Sound

Tamino © Jeton Bakalli
Features, Interviews, MusicSeptember 23, 2022<March 11, 2023

Feature: Tamino’s Sophomore Album ‘Sahar’ Mediates the Intersection Between Light & Dark, Love & Pain

Arctic Monkeys © Zackery Michael
Columns, Music, Today's SongSeptember 7, 2022<September 7, 2022

Today’s Song: Arctic Monkeys’ “There’d Better Be a Mirrorball” Is a Gentle Step in a New Direction

Easy Honey © 2022
Columns, Music, Today's SongJuly 15, 2022<August 1, 2022

Today’s Song: Easy Honey’s “Steady in Vertigo” Is a Unique Vibe That Showed Up Just in Time

Tamino "Fascination" © Herman Selleslags
Music, Music Videos, PremieresJune 22, 2022<June 21, 2022

Premiere: The Quiet Nuance of Tamino’s “Fascination” Music Video

Wet Leg © Hollie Fernando
Editorials, Features, Music, ReviewsJune 14, 2022<June 14, 2022

Subverting Expectations: Wet Leg, TikTok, and the Refreshing Originality of a Band Just Having a Bit of Fun

Tamino © Jan Philipzen
Columns, Music, Today's SongMay 20, 2022<May 20, 2022

Today’s Song: Tamino’s “The First Disciple” Tells the Story of a Fallen Idol with Powerful Simplicity

Sunflower Bean © DrielyS
Features, Interviews, MusicMay 10, 2022<September 29, 2022

“The right kind of crazy”: Sunflower Bean’s Third Album ‘Headful of Sugar’ Is a Wellspring of Impassioned, Eclectic Individuality

Blossoms © Madeleine Penfold
Features, Interviews, MusicApril 29, 2022<April 29, 2022

Feature: Blossoms’ ‘Ribbon Around the Bomb’, a Characterization of the Personal

COIN © XYZ
Features, Interviews, MusicMarch 25, 2022<April 3, 2022

“Emotional Surgery”: COIN Breakdown the Human Experience in Their New Album, ‘Uncanny Valley’

Posts navigation
1 2

Recent Posts

  • Atwood Magazine’s Weekly Roundup: September 2, 2024 September 2, 2024
  • “I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction September 1, 2024
  • “This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages August 31, 2024
  • “A reintroduction to me as a human and as an artist”: Tim Atlas Unpacks ‘Enchanté,’ His Ambitiously Bold Debut LP August 30, 2024
  • Review: ‘Wild God’ Carries Nick Cave & The Bad Seeds Out of a Lost Place August 30, 2024
  • ‘Water the Flowers, Pray for a Garden’: Valley Discuss Grief, Growth, & Owning Their Truths With Their Third LP August 30, 2024
  • “I want you to knock my lights out”: Bishop Briggs’ Messy, Sweaty, & Intoxicating Anthem, “Mona Lisa on a Mattress” August 29, 2024
  • “I am not who I thought I’d be”: Little Mystery’s Ivy Meissner Bares Her Soul on Breathtaking Debut LP August 29, 2024
  • Track-by-Track: The Rare Occasions Unpack 2022’s ‘Attaboy’ EP, an Exhilarating & Undeniably Fun Indie Rock Record August 29, 2024
  • “I’m falling apart in the red car”: Winnipeg’s meadows Brace for Loss on “If You Go,” a Brooding Slowcore Daydream August 29, 2024
© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • Best of the Year
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services