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Interviews, MusicMay 6, 2024<May 6, 2024

“A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’

Columns, Music, Today's SongJanuary 26, 2024<January 26, 2024

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Atwood Magazine’s Weekly Roundup: September 2, 2024 September 2, 2024
“I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction September 1, 2024
“This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages August 31, 2024
“A reintroduction to me as a human and as an artist”: Tim Atlas Unpacks ‘Enchanté,’ His Ambitiously Bold Debut LP August 30, 2024
Review: ‘Wild God’ Carries Nick Cave & The Bad Seeds Out of a Lost Place August 30, 2024
‘Water the Flowers, Pray for a Garden’: Valley Discuss Grief, Growth, & Owning Their Truths With Their Third LP August 30, 2024
“I want you to knock my lights out”: Bishop Briggs’ Messy, Sweaty, & Intoxicating Anthem, “Mona Lisa on a Mattress” August 29, 2024
“I am not who I thought I’d be”: Little Mystery’s Ivy Meissner Bares Her Soul on Breathtaking Debut LP August 29, 2024
Track-by-Track: The Rare Occasions Unpack 2022’s ‘Attaboy’ EP, an Exhilarating & Undeniably Fun Indie Rock Record August 29, 2024
“I’m falling apart in the red car”: Winnipeg’s meadows Brace for Loss on “If You Go,” a Brooding Slowcore Daydream August 29, 2024

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